PRINCIPES ORACULO – Wednesday, September 30, 2009

ORACULO

There were II spirits of Space, one was a Sword and the other an Eye, they were twins and hence, One.

A Crab who held the key for all Martians there was, and two Rams.

One Ram held the Crab, and by possessing it put on the armor of the Egyptian Horus. Strong for the journey across the void, and back and forth did the first Ram go at his pleasure having put on the wings.

The other Ram tried to possess the Eye, and unknowingly the Sword intervened, for they are Twins. This other Ram had left the Fishes, both of whom loved the Ram dearly, in a quest to possess the Eye.

The Fishes consulted with the First Ram and the Crab.

The Eye pretends it doesn’t know the Sword is there, and both of them being Space, the second Ram was kept grasping at something that wasn’t really there. This hurt the Fishes, who blamed the Twins.

So the First Ram armed as Horus in the shell of the Crab, took up to fight the Sword with his Two Horns, one short and one long.

The Second Ram thought the First to be fighting against her, and so offered anger and subtle subterfuge in return, the Eye seeing all and playing along, pretended the Sword does not exist.

The Eye offered pain and loneliness, and with Two Horns did the First Ram fight. The Eye, seeing the First Ram fighting with the Sword, believed the Ram to be fighting in its name, but also knew that somehow the Ram was fighting against it, by way of engaging the Eye’s twin, the Sword.

When the Short Horn finally held at bay the Other Ram, and the Long Horn swiftly neutralized the Sword, the first Ram staring directly into the Eye declared, “I am Fighting for the Fishes!”.

The Horns fell away, and the knight lifted up his visor and from behind the Crab Armor their was only void and laughter …

The End

INCIPIENS

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What’s My Name

The True Artist develops pseudonyms (masques) not as something to be thrown away, but as constant components to her complex existence to be integrated and transcended. When a completely new and radical unfolding in the artistic vision becomes apparent, where all old rote and rituals are suddenly and often violently rendered (not useless but) null; it becomes a sacred honor to consecrate this new awareness with a name.

In so embodying (inhabiting, remembering) this new transcendence, the artist must remain totally aware that the previous personalities of her now transcendental vision are still required as components in the maintenance of the new Genius thus attained thereunto. And the ultimate first calculation is a karma person such as it stood when the artist first began the habit of redefining and naming herself … apropos, all Genius requires the component of the original person you were programmed to be before you got to play your hand at hacking your own awareness.

By giving these states of awareness attained a name (masque), we can investigate their character by a process of objectification. In integral jargon: “the subject of your current state of awareness (subjective perception) becomes the object in the awareness of the higher transcendent state”. The proof of this occurrence is the negation of all conflicts experienced at the previous states. These conflicts may remain within the older, deeper, and component masques (pseudonyms); negation simply means they cease to leave a karmic trace … they now equal zero. This ‘equaling zero’ of the spiraling architecture of artistic personalities is called ‘transparency’. The metaphor here being of divine light, stained glass, nakedness and vulnerability, etc.

This process of the artistic evolution of Intellect has been alluded to everywhere by the wise because it is purposeful and is a process which is more accurately described as an operation (fnord). Some of my favorite axioms pointing to this secret can be found in Crowley’s “Love Under Will”, Wilber’s “Transcend and Include”, Falco’s “Arrow of Complexity”, and Dee’s “Hieroglyphic Monad”.

But what is important in Dancing the Masque is that there is a thread of continuity. That the Transcendent state comes ‘back to market’; befriends all the demons and enlists them in the honour guard; loves, embraces, maintains, and cares for all the previous states of personhood which are still so essential to the complex expression of artistic genius as it is right now. All masques must be given their proper timing and groove on the ballroom floor.

This may seem like a lot of work … and it is. But this way of working does not cost energy when the entire proccess is accounted. The act of transcendence radically liberates energies that had been locked away inside our unexplored kinks. This way of heaven, this way of immortality, purity and superiority was summed up by the most interesting man in the world when commenting on Masquerades:

“If the only thing that comes off at the unmasking hour is the mask, you have done something wrong.”

This is a good metaphor for transparency, and is a kind of vulnerable nakedness much more difficult than nudity. Its presense emits the sweet perfume of genius, intellect, myth, and artistry into the air like inscense. This is the eros and eroticism of all true sapiosexual potion; because the consciousness (soul) is the seat of transcendent wisdom. And the infinite of consciousness can paradoxically contain the void incomprehensibleness of pure Intellect; pure Wisdom, and that is Big Love. And the body in gross matter, ludicrouslly paradoxically can contain all of this; and that is power and bliss, and force and light.

This is why having the names of yourself and others remain in your pure heart is power. This is how developing a relationship with your global-centric self can allow you to put the entire planet and its complex symbiotic ecosystems into your pure heart. And this is how wisdom inhabits courage and acts in power. Through alignment, through timing, groove. Heat and Moisture, Vital Force and Subtle Electricities; the transmutation happens right on time.

Stay Thirsty, Stay Foolish.

Core (la lune est toujours la)

The relaxed abdomen method is not a tenable approach for the magician. Relaxing the abdomen is practiced for a variety of good reasons. When you relax your abdomen and breathe deeply into it, your brain wave relaxes into hypnogogic trance states. Abdominal breathing in this way can give you the ability to sense subtle and dream forces in the waking world, by generating an abundance of alpha and theta brain waves. Not only this, but a passive sense of well being and neutrality are also cultivated in the thoughts, and a sense of ‘flow’ and contentment is also a common result of a devoted abdominal breathing practice. Lots of stretching can deepen this state.

This state is the preferred state for the civilian. Such a state cultivates a willingness to go with the flow and meld together into a strong sense of community mind, thereby creating a strong egregore which can be further utilized. Plasticity is the best possible state for the citizen. Thaumaturgy requires willingness, and a relaxed abdomen keeps you willing and able to follow orders. Egregore will be sold as supermind; stop buying.

Nature spirits become objectified through projection, and the body and mind fracture. Suddenly, masturbation is spirit relation, and the universe is caressing my body, rather than my body caressing the unknown. This is the problem with projection, the astral is not objective. The egregore is a social agreement, and it isn’t anything new for a group of humans to sacrifice their vital force because they became convinced the thrill was enlightenment. In fact, this kind of operation and application is par for the course. I am happy to see it … it’s just that I for one am not for sale in such a manner. My vital force has its own purpose, its own soul directive, and its own rules. I also feel compelled to share with others on the path that Magick requires personal strength; leave the pre-rational cosmic pool to the civilians. Real spirituality in Magick is a positive war, where all that is not Purity is violently and immediately ended.

And the positive need for strength as a magician brings me back to truth, the body. The abdomen is the strength of the body. To cultivate this strength, the abdomen must be vacuumed, the core and abdominal muscles must be engaged, the anus tightened gently and sealed, the spine pulled tight in both directions. This is taking command of the body, and is the beginning of fusion. When the abdomen is relaxed, energy is sensed. When the abdomen is vacuumed, energy is fused.

When you sense energy in a passive way, with a relaxed abdomen, you then react to it based on a dream from your own internal habit of beauty, you apply meaning to it based on your brains habit of thinking, or whatever thaumaturgic effects you happen to be dwelling on at any given time. When energy is fused in an active way, you move with it without bias, from your spine, as it is, in its pure and primal form. The universe opens and closes, rises and falls, moves forward then back, then in, then out. The universe does, and then it doesn’t. A relaxed abdomen always opens, never hinges, doesn’t know how or when to close. Making choices from this relaxed state becomes difficult unless such choices are molded to the egregore, or the memory of being in the womb, and this is your first clue that supermind is more than egregore, and more than a cosmic pool where no one has to suffer.

Without fusion, cultivation cannot occur. Cultivation is a precursor to distillation, and the resulting essence is then stored in the body, in a specific and structured matrix of 8 which is further itself fused to the lunar current and its phasing. This is a true method of subtlizing the body … Which then turns the body into a magickal weapon. Charged, consecrated, and sacred. A perfectly magickal approach to perfecting the great work in the body. Objectively real because it involves the translation of the body as a method of checking results. Perfectly efficient because it requires no outside methodology of ‘tech-prep’ nor does it require the use of artifacts. It should not take too much imagination to understand that such a subtle and technical approach to the strengthening and maintenance of the body allows partnering combinations for the creation of spiritual elixirs, the charging of intention, the contacting of Theurgic forces and principles, and true congress and symbiotic exchange with galactic personalities. This is the highest of alchemical arts and requires skill, timing (groove), discernment, and discretion from each individual; and time (nodes). And a fair amount of kink. Discipline is not for everyone.

The foundation of all of which is strength. Foundation, the molten core, the alchemical furnace, the 9, the moon, yesod, the abdomen. It was a woman who brought the wisdom of abdominal strength. It is through the vacuum in the abdomen that the true wisdom of Sophia, and of Babalon is consummated. And when the moon is full do we contact the Hard energy, the 3 solid lines of heavenly sky, of synchronic forces. And in the body as Imperial Fire. The true spiritual fire which always comes to trump the ministerial fires of yin and yang. The Imperial Fire of Wings and Ram, of Governance and of Rising Force; and the small intestines. The light of the hermit, the tip of the Yod. I salute the God within.